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As a card-carrying romantic, I bow to no one caught in the occasionally moony state of yearning, but I can’t imagine ever telling anyone I liked, let alone loved, something like, “My, you’re so fine/When love is mine/I can’t go wrong”; or, “Ah, she looks like snow/I want to put her in a Broadway show” or, “You’re my baby and I love you/You can take a pound of love/And cook it in the stew….” The last song on the LP carries the galactic couple all the way to the old people’s home, where we are asked to pity the doddering old McCartneys because “nobody asked [them] to play.” “Here we sit,” they cry, “Two lonely old people/Eking our lives away.” Pretty damned unlikely. Its Silly Willy With Philly Band Anyone who has heard that album, seen their 1973 television special, or witnessed Linda ineptly playing organ on stage with a perfect punk panache might well wish that Paul had contented himself instead with having her pose nude on his album covers. Superficially, which counts for a lot with McCartney, his New Orleans venture is his most appealing post-Beatles album -- straight rock and roll with a few pop detours and one excursion into "When I'm 64" nostalgia. Turning your wife into one of your employees is not always a wise decision, especially if you happen to be an artist. The Hall & Oates hit "Everything Your Heart Desires" has no rhymes. If the musical career doesn’t pan out, guys, you can always get a job writing soap operas or the verses for Hallmark cards. Copyright: Writer(s): Linda Mccartney, Paul Mccartney Lyrics Terms of Use. Oo-Ee . McCartney's vocals range from the smooth ballad style he has always handled well to a raunchier rock sound that he has heretofore been unable to attain, even on his wilder singles. In other words, he sounds less like a soft voice singer trying to scream and more like a legitimate screamer. At The Concertgebow So much for the banal ballads — “Venus and Mars,” “Love in Song,” “You Gave Me the Answer” (done Rudy Vallee style), “Letting Go,” “Spirits of Ancient Egypt,” “Treat Her Gently — Lonely Old People” — all treacle so far from the mainstream of amorousness that, if one were to make a joke, only a drip or two could sneak through. The sports arena has metamorphosed into an Isaac Asimov-inspired starship, fueled by Linda McCartney's gurgling synthesizer. Otis Day And The Knights, the fictional band created to perform "Shout" in the movie Animal House, became a real band, performing the song at colleges and other venues. Waiting For The Show To Begin Not content to celebrate simple marital joys in a series of songs each more deeply mired in vacuity than the last ("Eat at Home," "The Lovely Linda," and "My Love") Paul McCartney actually made his wife Linda a member of his band, and by the time of the Wild Life album she was warbling "Love Is Strange" -- well, off-key, but in the center spotlight nonetheless. Don't get me wrong -- they probably don't -- because McCartney's a convinced fool. The Sevendust frontman talks about the group's songwriting process, and how trips to the Murder Bar helped forge their latest album. What's That Man Movin' Cross The Stage? Addition of Jimmy McCulloch has added a strong rock guitar vein and has allowed Denny Laine to switch to bass and spend more time on vocal harmonies. . Many of the songs are the sort that stubbornly stick in the head whether you want them to or not, and the production is the most polished since the break with the other Beatles and George Martin. Band on the Run wasn’t great, but it was good and did suggest that its creator wasn’t all vacuum-packed smugness and unmatched ego. "Venus and Mars" cleverly makes use of the various connotations of the word "stars." Linda also sounds like more of a singer. It was Paul McCartney's first post-Beatles release under the Capitol Records label. Oo Yeah . Are Alright Tonight. Venus And Mars The Classic 500 | Behind The Stacks You Glimpse An Axe We'll Be There . Let's face it; Will and Ariel Durant they ain't. . Sign up for our newsletter. At The Madison Square . Emilio talks about what it's like to write and perform with the Tower of Power horns, and why every struggling band should have a friend like Huey Lewis. The guy is a bit blotto and he starts thinking about 'a good friend of mine studies the stars, Venus and Mars are all right tonight.' Venus and Mars is basically an addendum to Band on the Run, and it consolidates Wings' position as the most proficient and diverting bland-out on the boards. For all I know, the McCartneys may love each other passionately, but it is self-aggrandizement, not private ardor, that shines through the computerized smoothness of their insubstantial songs; no blood on the tracks here, and no connection with reality either. Yet when "Venus and Mars" resurfaces on Side Two -- in the grand old Sgt. . Venus and Mars are our next of kin: they are the two most Earth-like planets that we know about. . The last "real" song, "Lonely Old People," is followed by a brief rendition of "Crossroads," the theme music to a soap opera then in favor with Britain's senior citizens. If Venus and Mars' other selections struck many fans and most critics as being a bit slick and lyrically vacuous, they are nonetheless quite diverse musically, ranging from heavy metal to '30's nostalgia to a musical interpretation ("Magneto and Titanium Man") of the Marvel Comics Paul had taken to reading. . It is also a credit to McCartney that he manages to render guest artists like Allen Toussaint, Tom Scott, and Dave Mason as slick and faceless as the rest of Wings always has been. . © 2020 METROLYRICS, A RED VENTURES COMPANY. A good friend of mine follows the stars. At The Madison Square Search The RockSite/The Web. . The title track is winsome and wistful; "Rock Show" is gutsy in a Band on the Run vein; "Magneto and Titanium Man" is one of those loose, loping, half-stalked and half-sung progressions (check Ram's "Smile Away"); and the hit single, "Listen to What the Man Said", is really magnificent beauty-parlor music. You Got Rock And Roll Had Paul chosen to extend the "Venus and Mars"/"Rock Show" idea throughout the rest of the LP, he might have produced an ambitious and fascinating concept album. . But what of John and Yoko? You're Got Long Hair We'll Be There . B+. None of the ex-Beatles has survived the first half of the Seventies heroically — George Harrison has become a musical Kahlil Gibran, Ringo Starr, a likably mediocre Everyman, Lennon, the confused method actor unsure of what role to play, and McCartney, a latter-day Burt Bacharach trying to invent his Angie Dickinson — but, of the four, only Lennon’s plight still reaches the rock & roll part of the heart. Its A Pity There's Nobody Here To Witness The End A much more musically intricate project than Wings' other solo effort without losing the feeling of fun and spontaneity that good rock has always offered. Perhaps this is too harsh; perhaps Paul and Linda’s image of themselves as rock & roll’s mythical couple is real in their minds but, as this album proves, an extended trip across that arid area is apt to make even the night thoughts of Johnny Carson appear positively Dostoevskian. . Ozzy, Guns N' Roses, Judas Priest and even Michael Bolton show up in this Classic Metal quiz. . Released in 1975, Venus and Mars was the follow-up to Band on the Run (which was basically all McCartney in the studio). As time goes by, John Lennon’s importance to the Beatles becomes more and more self-evident. Advisory - the following lyrics contain explicit language: Sitting In The Stand Of The Sports Arena She taught him how to pull invisible butterflies out of boxes and rain them on the heads of the audience, and he taught her to think she was musician enough that she could yowl on vinyl with a clear conscience. They're Got Long Hair . Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. . . Want more Rolling Stone? Paul had just signed on again for the record-shattering sum of eight million dollars. (Paul admitted that the references to Madison Square Garden and the Hollywood Bowl were a "hint" of Wings' future plans to tour the U.S. the following year.). . In the lyric about the "good friend following the stars," the friend could just as easily be a groupie or a rock fanatic as an astrologer; and the stars might even be Venus (Linda) and Mars (Paul) McCartney. . What's That Man Holding In His Hand? And the reader must bear in mind that none of this is meant as depreciation; on the contrary, facelessness is the business of Wings, and their recent success at it has been nothing short of dazzling. Sitting In The Stand Of The Sports Arena Waiting For The Show To Begin Red Lights, Green Lights, Strawberry Wine, A Good Friend Of Mine, Fol Wilder's hit "Break My Stride" had an unlikely inspiration: a famous record mogul who rejected it. But when the music is coherent it doesn't matter so much. Venus and Mars are alright tonight, McCartney has stated the song “is about an imaginary friend who’s got a girlfriend who’s the kind of person who asks what your sign is before they say hello. - William Ruhlmann, The All-Music Guide to Rock, 1995. The result is probably the best rock & roll that McCartney has made since departing his original group, particularly in the selections, "Rock Show" and "Listen to What the Man Said;" in no small part because Paul's songs here also have more spine than most of the post-Beatles saccharin pop with which he has been associated. . Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. ". The same old story we’ve been hearing for years — that Lennon’s wit and abrasive probing were needed to balance Paul McCartney’s melodic charm and sweetness — is obvious but true; Lennon’s career has certainly had fewer ups and downs (the first Plastic Ono Band LP being his only real success), but his strivings, if at times embarrassing, have never seemed to be the product of assembly-line manufacture. It is symbolic that Venus and Mars comes with more extraneous junk (not all of it in the grooves) than it can sustain: two posters, two gummed decals, a flashy inner cover, etc. At The Hollywood Bowl, The title track itself, which boasts a typically seductive McCartney melody, proved than Paul could still write lyrics when he saw fit to. Venus and Mars first appeared on the Billboard charts on June 14, 1975, reaching #1 and spending a total of 77 weeks. Pepper/Ram/Band On the Run tradition -- "following the stars" takes a different context. Now, I don’t know. What's That Man Movin' To And Fro? The setting of the version that opens the album is a sports arena, abuzz with anticipation just before a rock show. Which is obviously no fair deal for anybody. - Bill Shapiro, Rock & Roll Review: A Guide to Good Rock on CD, 1991. Overview / In-depth. The only two real exceptions are the well-sung, urban-blues-and-Sixties-soul-influenced “Call Me Back Again” and the LP’s certain hit single, the deliciously catchy and creamily produced “Listen to What the Man Said,” the latter as fine an example of slick, professional entertainment and carefully crafted “product” as has ever hit the airwaves. Jay-Z and Biggie Smalls attended Westinghouse Career and Technical Education High School in Brooklyn, New York at the same time.

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