david russell transcriptions
Russell: I used [Ruggero] Chiesa’s book. Plus tard, il remporte de nombreuses compétitions internationales, notamment le Concours Andrés Segovia, le Concours José Ramírez et le Concours espagnol Francisco Tárrega . This is very hard to do as far as the famous pieces go, because we all have heard so many versions. In the first issue of Classical Guitar, published in September/October 1982, Colin Cooper wrote in his review of David Russell’s Purcell Room recital: “Clarity, incisiveness, simplicity, power—any of these in combinations of one, two, or even three can carry a recital, but David Russell can combine all four in a way that makes him one of the most exciting young guitarists on the scene.” Thirty years-on and 30 recordings later, he is still “one of the most exciting guitarists on the scene.” His Telarc albums Air on a G String: Baroque Masterpieces by Bach, Couperin, Saint-Luc and Weiss, his witty all-Giuliani recording, Music of Giuliani, and his all-Albéniz recording, Isaac Albéniz—Spanish Music for Classical Guitar, with 70 minutes of Albéniz, all received great critical acclaim. David Russell (né en 1953 à Glasgow) est un guitariste classique. https://fr.wikipedia.org/w/index.php?title=David_Russell_(guitariste)&oldid=172291344, Article de Wikipédia avec notice d'autorité, Page pointant vers des bases relatives à la musique, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Couperin wrote his pieces in Ordres, like suites, and with these ones, the whole suite has five movements, but there was one movement that I couldn’t fit onto the guitar and it’s not actually a very pretty movement anyway. This is the way I go about it: Once I decide about something which I want to play, I only listen to myself until my own way has been consolidated enough. 6 in E minor, BWV 830], it became identified as “Hubert’s piece”; it was a piece that only he was playing and he really played wonderful performances of it. CG: You didn’t record any Couperin at the beginning of your career, did you? Maybe that was OK when I was 12 or 15 years old, or something like that, but there came a day when I didn’t want to continue it because I sounded like a really bad version of this great player. Il est régulièrement invité à jouer dans des festivals de musique. CG: Yes, we could all benefit from thinking about how to approach learning pieces and how to have a more personal connection with the piece. Russell: No, those ones that you’ve heard in concert I recorded a couple of years ago on a CD called Air on a G String. I tried desperately to do every single phrasing that he was doing. CG: When was that the first recording made? Il est un fervent supporter de son équipe de football locale, Celta de Vigo. Russell: Well, it’s almost impossible to do the ornaments that Weiss suggests, because of the differences in the instruments. I love the piece and I think that Sergio has written a work that will surely become an important part of our repertoire. 6‘ on a Custom Santa Cruz PJ Parlor Guitar, Classical Guitar Sessions: ‘Flametal’ Guitarist Ben Woods Plays Foo Fighters & A Rumba, ‘Classical Guitar Sessions’ Presents Matthew Fish Playing Music by Johannes Möller, A ‘CG’ Online Exclusive: Evangelos Assimakopoulos on Arrangement and Transcription.
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