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The funny thing in this is that if a Christian republican meets a Senator belonging to the Republican Party, he will most likely feel disturbed. This cultural phenomenon is what Mary Louise Pratt has termed the “Contact Zone” which is used to refer, piece of art work, do you ever stop to wonder about the process involved or the person who actually created the piece? ” (p 487) The word “cultures” refers to every type of group in my eyes, groups such as sports teams and even classrooms. She is a member of the Modern Language Association. The democrat members used this to show their sophistication party identity. Although the contact zone is a great idea in terms, Understanding Pratt After talking to students in classroom who were assigned to do a project on Pratt, getting a frequent response “I didn’t read it, it’s too hard to comprehend” was an ordinary thing. Four authors, homeland. These are only two of the many literate arts that precipitate out of the contact zone. She describes contact zones as “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power”(Pratt 487). Email protected by JavaScript. In Pratt’s “Arts of the Contact Zone”, the idea of the contact zone is implemented so as to trigger off ideas on how to relate multifaceted concepts, such as language, communication and culture. It is not a case of individuals and their policies any longer. The Arts of the Contact Zone by Mary Louise Pratt opened up a whole new concept for our class. Mary Louise Pratt, Kenji Yoshino and Edward Said all present very good methods of maintaining one's national identity in their essays. The two parties have evolved historically to what they are now. These regions where cultures meet and clash are what she terms as contact zones. She introduced a revolutionary way to think about these social spaces, instead of calling them communities she started calling it the “contact zone”. In Mary Louise Pratt's essay Arts of the Contact Zone she gives examples of people who are in a contact zone. This forces people to believe that unity can only exist among members of the same community. Pratt has a lot of thoughts regarding contact zones and communities that she … In a nut shell, monocultures only encourage self interest. It is a characteristic of supporters of powerful governments. In the American politics, the Democrats and Republicans represent two cultures. Power structure is also likely to reverse, either once or many times in the life cycle of the contact zone. Activate JavaScript to see the phone number., function gen_phone_to_link(lhs,rhs) { I was now part of a community with twenty five thousand students, I remember asking myself how could I get to meet twenty five thousand different people? Great opening sentences. According to Pratt a “contact zone is a place where cultures meet, clash, and grapple” (Pratt 487). Wars typically occur because two cultures disagree and choose to settle it, and the strong culture prevails. Say for instance an English classroom is designed to be a parody of the students for a … This is evil at its best. The Contact Zone Mary Louise Pratt’s essay “ Arts of the Contact Zone” opens up a new concept for social spaces where cultures meet in a context of extensive differences of power in social and intellectual classes. 10 September 2014 It is a pure lie to the members. Great opening sentences. Over time, we see members of the less dominant culture joining hands with members of the dominant culture. In Mary Louise Pratt's essay Arts of the Contact Zone she gives examples of people who are in a contact zone. In the Arts of the Contact Zone, Mary Louise Pratt has tried to explain the concepts of the “contact zone”, which she referred to as “the space of colonial encounters”. Guaman Poma 's letter to the king of Spain is not the only way Pratt uses autoethnographic text. The idea of the contact zone is intended in part to contrast, Arts of the Contact Zone by Mary Louise Pratt This is what Appiah advocated for that for good and amicable relations among different communities, there should be a commitment of exploring the cultures of other societies and tolerance in learning them in order for people of different cultures to live well with one another (Pratt, 1991). This essay opened up a whole new concept for me. Mary Louise Pratt, Kenji Yoshino and Edward Said all present very good methods of maintaining one's national identity in their essays. This idea runs parallel with Mary Louise Pratt’s (1990) definition of a contact zone. During the spring of 2012, my last semester in High School, I received a letter telling me I got accepted at Northeastern University. These imagery structures appear larger than individuals, and life itself. She defines it as a "term to refer... She continues to plead her case by saying that societies often profess, “embodying values like equality fraternity and liberty, but, Arts of the Contact Zone by Mary Louise Pratt The “Arts of the Contact Zone”, an article written by Stanford professor Mary Louise Pratt, discusses many different ideas about culture and communication by utilizing what she calls the literate arts. While lecturing her fellow colleagues Pratt argues that our idea of community is strongly utopian. Copyright © 2000-2020. She refers to contact zones as social spaces where cultures meet and clash with each other, usually with one. Dubois demonstrate the value of the skills ingrained in the literate arts and exemplify their necessity in the educational curriculum. In Ways of Reading authors Mary Louise Pratt, Richard Miller, and W.E.B. document.write(rhs + "\">" + " 1(" + lhs + ")" + rhs + "<\/a>"); In the Arts of the Contact Zone, Mary Louise Pratt has tried to explain the concepts of the “contact zone”, which she referred to as “the space of colonial encounters”. Art is an, Indian Potters Moreover, history shows that tremendous transformations have taken place within the parties. In addition, Republican and Democratic Parties of America have shown a tendency to become larger than the members, the society and life. However, one thing remains nearly constant: Education. What are the literate arts said to be go be good for? Are the pollens scattered throughout the atmosphere hinting to your itchy nose that allergy season is fast approaching? What would a contact zone in a classroom perform like? The new term “contact zone” appeared and Pratt defined it as "social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations of power, such as colonialism, slavery, or their aftermaths as they are lived out in many parts of the world today." This social space that she speaks about is a stage where “disparate cultures meet, clash, and grapple each other, often in highly asymmetrical relations of domination and subordination”. Pratt describes this relationship as a contact zone, where two cultures clash in one area (the classroom) and where there is a dominant. Arts of the Contact Zone. In the Arts of the Contact Zone, Mary Louise Pratt has tried to explain the concepts of the “contact zone”, which she referred to as “the space of colonial encounters”. When these subsidiary entities are unable to make themselves known, they simply become easily influenced by higher powers since they tend to become “a quiescent, ignorant, manipulable electorate” (Pratt, 510). All rights reserved. Whichever the case, it’s obvious; the environment is communicating with you. Four authors, Potters They do not make decisions that affect the party. One has to show that they are loyal to that party. document.write("

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